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'Agnes'

An Eco Docufiction Ghost Story / In Development
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"Always surprising..The narrative was ghostly..."

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"..was complex and very interesting to me."

Audience Members

'Agnes’ is a contemporary choreographic, cinematic, and exhibition work, which is equally intimate and austere, as it is epic and surreal.​ The work traverses across temporalities, histories, places, and realities - it is an experience of hauntings and spectres, created in the gaps of an archive of oral history, written records, and historical, cultural, embodied, scientific, and land-based knowledges. 'Agnes' spirals through time and stories of gender, class, labour-risks, migration, colonisation, a shipwreck, family, corporealities, extinction, and environments.  It is a work of reckoning, repatriations, healing, and reverberations.

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'Agnes' is a documentary, a forensic study, a channelling, a provocation, and a dream.

Credits

Concept, Choreographer, Writer, Director, Performer and Co-Prodcuer...Bridget Fiske

Dramaturgical, Performance, and Choreographic Researcher...Joseph Lau and Amy Vrois

Audience & Engagement Dramaturge/Curator, and Environmental Responsibility Strategy Consultant...Michèle Steinwald​

Academic Advisor, Open University...Dr Gunjan Sondhi

Moving Image and Lighting Designer...Andrew Crofts

Botanical Costume Consultant...Shahn Stewart

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Supported using public funding by the National Lottery through Arts Council England​

Supported by...Sunshine Coast Council; Studio1; MAD Dance House; Movema; Open Univeristy; Company Chameleon; University of Salford

History

Sharing events to date with: Project Auske; MadeSc - Quarterly Artist Sharing; M.A.P; EXCHANGE in Dance24 (Metro Arts & Studio1).

 

This vision for developing, and creating ‘Anges’, was formed via a 2021/2022 Arts Council England supported Developing Your Creative Practice grant focussing on the development of a writing practice in relation to Bridget’s Choreographic and Directorial practices.

 

Parallel research on ‘(sketching) Artefact A: The shipwreck - or -  A short performance of the death and birth of the body of John Edwards' has occurred as part of the project ‘Sufi In The City’, where Fiske has been developing a performative score about the decomposition process of the human body. This research has also been supported by Dancenorth Australia’s Artist Residency in the Tropics (A.R.T.) Program. 

I acknowledge the Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of Country throughout Australia and their connections to land, sea, and community. I pay my respects to Aboriginal and Torres Strait Islander cultures, and to Elders past and present. 
© Copyright Bridget Fiske
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